I’ve been ridiculously busy over the end of January and beginning of February, with three premieres over three successive weekends.
The first two were contemporary dance collaborations – on January 31st it was Unfold to Centre with the Yorke Dance Project, part of their new triple-bill with Robert Cohan, Figure Ground. Then I went over to Den Haag to finish off the highly interactive sensor-based Wild Places: Mountain with Roosna and Flak for the Cadance festival, opening on 6th Feb (Külli Roosna, pictured).
And I’ve just got back from Seia, Portugal, and the Dias De Música Electroacústica, where I curated a programme of videomusuc for the Canadian Electroacoustic Community, including my brand new danceroom-Spectroscopy-bending work Cloud Chamber. Phew!